Project: Sunken Cities 2100
The ‘Sunken Cities 2100’ series of paintings highlights the potential impacts of human-driven climate change. It depicts submerged sculptures from various periods of art history, positioned in the British Museum and other European museums. The artworks aim to raise awareness about the consequences of climate change and how it threatens our cultural legacy that bears many layers of accumulated collective memory.
Yulia Dotsenko
Ecstasy of Saint Teresa (Sunken Cities 2100), 2019.
Digital oil on digital canvas (painting on a touch screen computer with a digital pen). Archival pigment-based inks on archival paper. Limited Edition.
Yulia Dotsenko
Goddesses of the Parthenon in the Age of Climate Change (Sunken Cities 2100), 2020. Digital oil on digital canvas (painting on a touch screen computer with a digital pen). Archival pigment-based inks on archival paper. Limited Edition.
Yulia Dotsenko
Aphrodite Among the Corals (Sunken Cities 2100), 2020. Digital oil on digital canvas (painting on a touch screen computer with a digital pen). Archival pigment-based inks on archival paper. Limited Edition.
![Yulia Dotsenko, [Detail 1] Aphrodite Among the Corals (Sunken Cities 2100), 2020.](https://static.wixstatic.com/media/df698b_94818b7fedf7440194c4e0fef8ecb8c7~mv2.jpg/v1/fill/w_605,h_605,q_90/df698b_94818b7fedf7440194c4e0fef8ecb8c7~mv2.webp)
![Yulia Dotsenko, [Detail 2] Aphrodite Among the Corals (Sunken Cities 2100), 2020.](https://static.wixstatic.com/media/df698b_9da40462170c42ab9f3c18c1ef799f75~mv2.jpg/v1/fill/w_610,h_605,q_90/df698b_9da40462170c42ab9f3c18c1ef799f75~mv2.webp)
Yulia Dotsenko
The Lion of Persepolis (Sunken Cities 2100), 2021. Digital oil on digital canvas (painting on a touch screen computer with a digital pen). Archival pigment-based inks on archival paper. Limited Edition.